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Compared

A Pixsy alternative for businesses, not catalogues

Pixsy is a serious product built for a specific person: a photographer or illustrator with a large catalogue of images that keep turning up where they should not. If that is you, Pixsy is probably the right answer. If you are a business whose website got copied, keep reading, because the shape of the problem is different enough to matter.

What Pixsy is built to do

Pixsy’s model is continuous monitoring of an image catalogue. You connect your image library, Pixsy watches for those images appearing elsewhere, and when it finds commercial use it can pursue the matter — including, through partner law firms, pursuing a licensing fee or settlement rather than simply a takedown.

That second part is the genuinely distinctive thing about Pixsy, and it is worth understanding before you compare anything else. For a working photographer, an unlicensed commercial use is a lost sale with a market value attached to it. Getting the image removed does not recover that value. Getting paid for it does, and Pixsy is built around recovery, on a no-win-no-fee basis through law firms, taking a share of what is recovered.

For someone with a catalogue and a licensing business, that is a sound model and the incentives line up. We do not do recovery and we are not suggesting you should not want it.

Where the two models differ

  • Built around

    A catalogue of images, monitored over time

    A website, scanned at a point in time

  • Covers

    Images

    Images and the writing on your pages

  • Commercial model

    Subscription tiers, plus a commission on recoveries

    No subscription. A per-URL fee, charged only when a page comes down

  • Goal of a case

    Removal, or a licence fee recovered

    Removal

  • Best for

    Photographers, illustrators, stock licensors

    Ecommerce sellers, service businesses, content publishers

On Pixsy's prices

We are not quoting them. Several third-party sites list tiers and a recovery commission, but we could not confirm current figures from Pixsy themselves, and quoting an out-of-date price as fact would be unfair to them and useless to you. Check pixsy.com for what they charge today.

The question that decides it

Ask yourself what the copied material is worth and how you would want that value realised.

If your images have a licence price
A stock photographer, a commercial illustrator, anyone who sells usage rights. An unlicensed use is a sale someone did not make. Recovery is the right goal, and a recovery-led service is the right partner. That is Pixsy’s territory and we would send you there.
If the copy is costing you customers
An ecommerce seller whose product photos and descriptions now sit on a competitor’s store. A service business whose site copy was lifted wholesale. Here the damage is not a missed licence fee, it is a competitor trading on your work and, often, your pages competing against themselves in search results. Removal is the whole point. A settlement does not fix it.
If it is both
Then they are not alternatives and you may genuinely want both, in sequence: get it down first, then take advice about whether the use was worth pursuing for value.

That is the honest division, and it is not a close call in most cases. The reason this page exists is that the two problems look identical from the outside — “someone is using my images” — and they are not.

Why we do not charge a subscription

Content theft, for a small business, is usually an incident rather than a condition. You find out, it is infuriating, you want it dealt with, and then for a long while nothing else happens. A monthly fee is a poor fit for that shape of problem, and a monthly fee that has to be cancelled afterwards is worse.

So we do it the other way round. The scan is free and ungated — you see every result without an account or a card. If you decide to engage us, you are quoted per URL before anything is filed, the price is frozen at that quote, and the invoice is only raised for pages that actually come down. Nothing recurring, nothing to cancel.

There is a real limitation in that model and it is only fair to name it: because we are paid on removal, we have an incentive to take the cases most likely to succeed. We tell clients when a target looks unlikely — an offshore host with no designated agent, a site behind a service that ignores notices — rather than taking the fee and the disappointment.

What neither of us can promise

Whichever you choose, hold both of us to the same standard on this.

  • Nobody can guarantee removal. The host decides. A notice obliges a host that wants § 512 safe harbour to act expeditiously, but obligation is not the same as certainty, and some hosts simply do not care about safe harbour.
  • Nobody controls the timeline. Of all the recipients whose policies we have read, exactly one publishes a target response time, and it describes it as an aim.
  • Removed content can come back. A counter-notice under § 512(g) puts it back in ten to fourteen business days unless a court action is filed. That is the statute working as designed, not a failure.
  • The other side usually finds out who complained. Several hosts and marketplaces forward the whole notice, contact details included.

If any service tells you otherwise, that is the thing to question — not the price.

What to have ready, either way

Whichever service you use, the same four things decide how smoothly a case runs, and none of them is something a service can produce for you.

  • Proof that you own it. Original files, camera raws with EXIF, layered source files, or the written assignment if a freelancer made it. If someone else created the work and never assigned the copyright to you in writing, you may not be the right person to file.
  • A date. A public archive capture of your page as published is the single most useful record, because the other side can verify it without having to trust you. Submitting your own URLs to the Wayback Machine costs nothing and takes two minutes.
  • The specific URLs. Not the copier’s homepage. Every recipient we have read requires the exact page, and several say in terms that a site-level link will be rejected.
  • A decision about fair use. Commentary, criticism and news reporting are real, and a notice sent without considering them is the fact pattern that produces § 512(f) problems.

A client who arrives with those four is cheaper and faster to act for than one who does not, and that is true at any firm.

Last reviewed October 23, 2026. This is general information about a US statute, not legal advice, and we are not a law firm.

Questions

What people ask next

  • Does TakedownCase monitor my images continuously?

    No. We scan when you ask us to. Continuous monitoring is a genuinely different product and Pixsy does it; we would rather point you there than ship a weak version of it.

  • Can you recover a licence fee for unauthorised use?

    No. We file for removal. Pursuing payment for past use is a legal claim, and it belongs with a copyright attorney or a recovery-led service, not with us.

  • Do you cover text as well as images?

    Yes, and that is the main structural difference. Our scan looks at the distinctive sentences on your pages as well as your images, because a copied storefront is usually both.

  • What does a case actually cost?

    Per URL, quoted and frozen before anything is filed, and invoiced only for pages that come down. The current ladder is on our pricing page — we render prices from one place rather than typing them into article text, so what you read there is what applies.

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